When these shapely legs are swung high during the rehearsal for the Swan Lake performance, they are not made of flesh and blood. Nor, in fact, are any of the lissome corporal parts belonging to the remarkable cast acting on the miniature stage of the Lindau Marionette Opera (House): they are puppets on strings choreographed and directed with an expertise and finesse that leaves any audience open-mouthed with bafflement. And that doesn’t just account for the ballet troupe bobbing their tutus in tune with Tchaikovsky’s legendary Swan Lake ballet: there are works by Mozart, Verdi, Rossini, Strauss, Bizet and Humperdinck on the programme as well. But, how is it accomplished to elicit credible emotions from actors sculpted from wood? Carving features to augment the illusion of changing mien is the craftsmanship their creators are excelling at!
Dear Prague!
Don’t be shy to admit it: you are well aware of your striking looks! Uphill, downhill, along the Moldova with Smetana’s music resonating in one’s mind: walking your streets stands for a rewarding high-performance exercise for the senses – and for a bit of a challenge to the feet, too, I must say. To explore you from the core means treading historic grounds paved with cobble-stones hewn to all shapes and sizes. Yet, if the horses could cope with tricky surfaces on hooves back then, so can I in sensible footwear today. But, where to look first in this maze of wonder: left, right, up, down or around?
The Empire State Building: High ambitions
What’s feasible?
1929: „How high can you go so it won’t fall down?“ John Jakob Raskob (one of the executives representing the Empire State, Inc.) is said to have asked the architects of the prestigious new edifice, Shreve, Lamb & Harmon. The main objective being to devise the highest building not only of New York City, but of the entire world. Initially they had hoped that 80 daring storeys should suffice. Yet, there was a fierce mine-is-taller-than-yours competition going on in NYC in the first third of the 20th century and construction of the rivalrous Chrysler building was already in full swing when Raskob’s project just got started. Walter Chrysler’s building did become the tallest one, albeit temporarily. In the end, he was outraced by just a few meters of the finest Art Deco architecture shining brightly over 350, Fifth Avenue.
Germany’s Blockbuster: Neuschwanstein Castle
When the King is a Queen
As is endorsed, Schloss Neuschwanstein, Germany’s prime tourist attraction perched on a steep rugged rock deep in Bavaria, served as a role model for what was to become the epitome of a castle eligible for the classical Disney story. Its silhouette was even chosen for the logo of the Walt Disney Studios. The elaborate palace is a real estate shrouded in ever-lasting mystery and thus an ideal venue for the incarcerated, bewitched or poisoned princess desperately waiting to be rescued.
Buenos Aires: An ageless Latin Seductress
The most enchanting characteristics of Argentina’s capital may not be entirely genetic in terms of having grown from an indigenous seed – as accounts perhaps for other metropolises. Buenos Aires’ obvious charm is much rather the result of the Old World wanting to settle in the new one without abandoning their familiar ways and traditions. Immigrants arriving to the country during the nineteenth century created a fascinating mix of distinct ‘European’ style neighbourhoods by lending their foreign identities to acquired territory: Madrid is now in Avenida de Mayo, Paris in Recoleta and Alvear Avenue or Naples in La Boca. Downtown Buenos Aires exudes the atmosphere of grand colonial times to this date. Spanish, Italian and French cultures made sure to also leave their legacy in sectors such as education, art, architecture and gastronomy.