The most enchanting characteristics of Argentina’s capital may not be entirely genetic in terms of having grown from an indigenous seed – as accounts perhaps for other metropolises. Buenos Aires’ obvious charm is much rather the result of the Old World wanting to settle in the new one without abandoning their familiar ways and traditions. Immigrants arriving to the country during the nineteenth century created a fascinating mix of distinct ‘European’ style neighbourhoods by lending their foreign identities to acquired territory: Madrid is now in Avenida de Mayo, Paris in Recoleta and Alvear Avenue or Naples in La Boca. Downtown Buenos Aires exudes the atmosphere of grand colonial times to this date. Spanish, Italian and French cultures made sure to also leave their legacy in sectors such as education, art, architecture and gastronomy.
The Sound of Friendship: Beethoven’s „Ode to Joy“
Whenever there is reason to celebrate on a festive scale, a dramatic sound scape must not be missing. Worldwide, solemn ceremonies are carried by Beethoven’s „Ode to Joy“ (Ode an die Freude), being played by enthusiastic orchestras and sung by effervescent choirs in front of a mesmerised audience. Since its debut in Vienna in 1824, the compassionate tune and emotional lyrics manifested themselves as the epitome of the brotherhood of man.
A museum for Tintin, the Belgian hero
Hergé: Master of the Comic Strip
Georges Prosper Remi – born in Etterbeek/Brussels on May 22nd of 1907 – became a renowned cartoonist who chose to sign his drawings with the pseudonym Hergé (RG), standing for his initials read backwards. The adventures of his heroes Tintin and Snowy were first published in 1929 – and nothing could impede their rapid ascent nor weaken their lasting worldwide success. Their exciting feats were translated into numerous languages and devoured by hundreds of millions of readers – notwithstanding their age. The constant flow of Hergé’s inspiration sprang from the reality situations of everyday life, a reliable source likely never to run dry. Before founding his Studios, Hergé, the productive artist, accomplished the challenge of his unique creative mission as a solitary fighter for more than two decades. Georges Remi died in 1983. The artist’s legacy comprises a wealth of works of impressive diversity in its distinctive unequivocal style. It is displayed at the Hergé Museum in Louvain-la-Neuve near Brussels in the Belgian region of Walloon Brabant.
Saving America’s Mustangs
Madeleine Pickens is a businesswoman, animal welfare activist and philanthropist of European descent. When, in 2008, the Bureau of Land Management declared that the United States government considered euthanasia and/or the sale of more than 30,000 Wild Mustangs to slaughterhouses overseas, Madeleine resolved to establish a sanctuary for endangered native horses. A year later, Madelene testified before the United States House of Representatives Subcommittee on National Parks, Forests and Public Lands in support of H.R. 1018, the Restoring Our American Mustangs (ROAM) Act. After acquiring the sanctuary in North Eastern Nevada, she saved over 600 Mustangs from slaughter and endeavours to rescue and preserve the Wild Mustang have been an ongoing process. Also, until this day, the sanctuary’s survival relies on Madeleine’s charity foundation „Saving Americas Mustangs“, through which the funding for the Mustang Monument Eco-Resort and Preserve could be raised. A series of recurring obstacles had to be overcome before the resort could be run according to plan.
Saving America’s Mustangs is a not-for-profit organization accepting donations (tax-deductible).
Paris. Montmartre – a sphere in its own right
The Making of a Bohemian Microcosm
Montmartre evolved following a massive urban reconstruction and relocation scheme initiated by a great man of the 19th century: Napoleon III. Together with his ambitious town planning prefect Baron Haussmann, he aimed at creating a mundane Paris of dazzling allure and wanted it to become „the most beautiful city of Europe“ – not without granting spacious plots of land in prime locations to Haussmann, his many friends and financial supporters. By rigorously stomping unsightly areas into the ground and by replacing humble housing by posh manorial edifices and narrow crooked alleyways by grandiose and airy boulevards and squares, Paris’s face was substantially lifted and embellished – albeit at the expense of the less privileged population, who became early victims of gentrification.