Whenever a building has been designed by Iraqi-born star architect Zaha Hadid, it is destined to become an award-winning landmark that attracts maximum attention. The Riverside Museum, Scotland’s Museum of Transport and Travel set on the north bank of the River Clyde in Glasgow, profits from a combined power: the magnetism exerted by a contemporary architectural shell of attested refinement and the veteran exhibits restored to enchant present and future crowds. The Riverside accommodates more than 3,000 objects that profoundly document the city’s transportation-linked past – maritime and otherwise.
It is presumed to be the most colourful, multinational and omnicultural of Berlin’s districts: Neukölln, whose reputation – up to the not too distant past – could be considered controversial at best. Predominantly low-income (German) residents alongside a high rate of immigrants touching the 40 per cent mark have been benefitting from affordable rents and trying to make ends meet remote from posh Berlin areas. Different beliefs; traditions; habits; tongues; skins or dress codes hailing from alien ethnic backgrounds not seldom ignited the precarious potential for social conflicts. Better-off Berliners and visitors to the city alike preferred to stay at a safe distance for a reason. Yet, by avoiding the confrontation with an often bleak reality, they simultaneously missed out on “glamour” of a quality only thriving in microcosms such as Neukölln.
Great sculptors and painters of their time have created an architectural treasure, whose masterly opulence bears witness to their genius to this day. Jan Preisler, Mikoláš Aleš, Max Švabinský, František Ženíšek, Ladislav Šaloun, Josef Mařatka, Josef Václav Myslbek or Alfons Mucha – names difficult to pronounce – were but a small fraction within the remarkable group of skillful artists involved in building and decorating Obecní dům – the Municipal House located right in the heart of Prague. Since its inauguration in January of 1912, the extraordinary building has served as a splendid stage for atmospheric concerts, grand festive balls as well as fancy fashion shows and is justly listed a national heritage site. Its protagonists – the Smetana Hall and the Municipal House Restaurant – alone may well be worth the trip to Prague, from whichever corner of the globe it may have to commence.
Drawing objects from memory can be a tricky affair not seldom crowned by a shattering outcome. Bringing even the most familiar of items to paper free-style may turn into an insoluble challenge. Yet unintentionally, it does occasionally (or frequently?) lead to astonishing creations – and to the „construction“ of somewhat adventurous contraptions. Such as the bikes computer-simulated by Italian designer Gianluca Gimini according to sketches made by a random group of people. He had confronted them with one simple task: to draw a men’s bike by heart.
When the definition „perfect symbiosis“ between a resort and its guests needs to be satisfied, few places come to mind. St. Moritz is one of them. In by-gone decades, the glamorous guest list included Charles Chaplin, Greta Garbo, the Kennedy’s and the controversial Shah of Persia. Or actress Brigitte Bardot and Gunter Sachs in each other’s tow. All of them readily showcased themselves on this elitist alpine merry-go-round under the scrutinising eye of the rainbow press. Whereas generations, nationalities and names on the sophisticated society chart prove exchangeable, the denomination „St. Moritz“ has reliably positioned itself as a sparkling gem safely embedded in craggy mountainous surroundings.