When these shapely legs are swung high during the rehearsal for the Swan Lake performance, they are not made of flesh and blood. Nor, in fact, are any of the lissome corporal parts belonging to the remarkable cast acting on the miniature stage of the Lindau Marionette Opera (House): they are puppets on strings choreographed and directed with an expertise and finesse that leaves any audience open-mouthed with bafflement. And that doesn’t just account for the ballet troupe bobbing their tutus in tune with Tchaikovsky’s legendary Swan Lake ballet: there are works by Mozart, Verdi, Rossini, Strauss, Bizet and Humperdinck on the programme as well. But, how is it accomplished to elicit credible emotions from actors sculpted from wood? Carving features to augment the illusion of changing mien is the craftsmanship their creators are excelling at!
Posts about Creativity
The Sound of Friendship: Beethoven’s „Ode to Joy“
Whenever there is reason to celebrate on a festive scale, a dramatic sound scape must not be missing. Worldwide, solemn ceremonies are carried by Beethoven’s „Ode to Joy“ (Ode an die Freude), being played by enthusiastic orchestras and sung by effervescent choirs in front of a mesmerised audience. Since its debut in Vienna in 1824, the compassionate tune and emotional lyrics manifested themselves as the epitome of the brotherhood of man.
TED Talk: How to beat stage fright
Phobias: A Plague or Mutations of the Basic Instinct?
Phobia is Greek and means to be afraid of something. In the non-Greek world, it is mainly used in psychological terms, signifying severe fear as in: terrified and: neurotic and: in need of professional treatment. Those in the grip of a veritable phobia are panic-stricken and paralyzed when it comes to tackling certain situations. Phobias are relics of our evolutionary past and were quite useful back then. Should a ferocious sabre-toothed tiger – teeth bared – spring up inadvertently from the undergrowth with an intimidating roar, the primitive brain would switch to red-alert and reliably signal to the short-legged homo erectus: RUN as fast as you can! It was a matter of survival, and the same basic instinct takes control over us in perilous situations until this day.
Messner meets Hadid: The Corones Museum in South Tyrol
Admittedly, it takes a bit of an effort to get there, especially from far-away countries. But then again: Who says that the good things in life are to be had in passing? Ask Reinhold Messner: If there were more „eight-thousanders“ to be conquered, he would most likely have done so and still always have chosen the most challenging variety of ventures. Similarly extraordinary and not seldom daring, are Zaha Hadid’s († 2016) architectural structures which reliably become prized icons one by one – wherever and for whichever purpose they may have been established. The intriguing element uniting the random duo seems to be that reaching for the skies is an inborn ambition, and that achieving the utmost a natural consequence. Both personalities’ visions and disciplines merged, result in remarkable projects such as the Corones Museum, submerged into the South Tyrolean peak of Mount Kronplatz 2,275m above sea level.
It’s all about perception: Gianluca Gimini’s bikes
Drawing objects from memory can be a tricky affair not seldom crowned by a shattering outcome. Bringing even the most familiar of items to paper free-style may turn into an insoluble challenge. Yet unintentionally, it does occasionally (or frequently?) lead to astonishing creations – and to the „construction“ of somewhat adventurous contraptions. Such as the bikes computer-simulated by Italian designer Gianluca Gimini according to sketches made by a random group of people. He had confronted them with one simple task: to draw a men’s bike by heart.