Bringing down the rare Haggis scotticus – the Wild Haggis – to secure the next traditional Haggis meal – requires utmost agility and perseverance by human persecutors equipped with equally-measured lower extremities. One must know that Wild Haggii vary in characteristics and that it is two different genera who roam steep and rough highlandish terrain. In both cases the legs on their left are different in length from the ones on their right – and vice versa. Either way, their unusual physique allows them to swiftly climb and scuttle around their regular habitat unperturbed by topographical challenges, albeit in one single direction only: Wild Haggii featuring longer legs on the left, move around clockwise, whereas the ones relying on extended limbs on their right, will logically proceed counter-clockwise. A refined GPS system usually prevents painful head-on collisions and all Haggii, limbed in whichever fashion, are said to lead a fairly peaceful coexistence.
Posts in category: Feature
The Empire State Building: High ambitions
What’s feasible?
1929: „How high can you go so it won’t fall down?“ John Jakob Raskob (one of the executives representing the Empire State, Inc.) is said to have asked the architects of the prestigious new edifice, Shreve, Lamb & Harmon. The main objective being to devise the highest building not only of New York City, but of the entire world. Initially they had hoped that 80 daring storeys should suffice. Yet, there was a fierce mine-is-taller-than-yours competition going on in NYC in the first third of the 20th century and construction of the rivalrous Chrysler building was already in full swing when Raskob’s project just got started. Walter Chrysler’s building did become the tallest one, albeit temporarily. In the end, he was outraced by just a few meters of the finest Art Deco architecture shining brightly over 350, Fifth Avenue.
Oktoberfest Munich: O’zapft is’!
On Saturday, September 21st, 2024 at high noon sharp Munich’s Lord Mayor – will once again ceremonially exclaim: ‘It’s tapped!’ The Oktoberfest, a festival recurring for the 189th time, has been exerting its magnetism on the crowds since 1810. It means huge fun for regular folks, works as an illustrious place-to-be-seen for celebrities of all shapes and sizes and could even enhance or jog a career of one trade or another. And it serves as a welcome runway for the presentation of suitably traditional garb (such as Dirndl, Lederhos’n or Lodenjanker) – or for a rare species of couture whose daring crossover creations are at times hard to swallow for the more conservative.
Messner meets Hadid: The Corones Museum in South Tyrol
Admittedly, it takes a bit of an effort to get there, especially from far-away countries. But then again: Who says that the good things in life are to be had in passing? Ask Reinhold Messner: If there were more „eight-thousanders“ to be conquered, he would most likely have done so and still always have chosen the most challenging variety of ventures. Similarly extraordinary and not seldom daring, are Zaha Hadid’s († 2016) architectural structures which reliably become prized icons one by one – wherever and for whichever purpose they may have been established. The intriguing element uniting the random duo seems to be that reaching for the skies is an inborn ambition, and that achieving the utmost a natural consequence. Both personalities’ visions and disciplines merged, result in remarkable projects such as the Corones Museum, submerged into the South Tyrolean peak of Mount Kronplatz 2,275m above sea level.
Lindau/Germany: Why Opera-goers adore Puppets on Strings
When these shapely legs are swung high during the rehearsal for the Swan Lake performance, they are not made of flesh and blood. Nor, in fact, are any of the lissome corporal parts belonging to the remarkable cast acting on the miniature stage of the Lindau Marionette Opera (House): they are puppets on strings choreographed and directed with an expertise and finesse that leaves any audience open-mouthed with bafflement. And that doesn’t just account for the ballet troupe bobbing their tutus in tune with Tchaikovsky’s legendary Swan Lake ballet: there are works by Mozart, Verdi, Rossini, Strauss, Bizet and Humperdinck on the programme as well. But, how is it accomplished to elicit credible emotions from actors sculpted from wood? Carving features to augment the illusion of changing mien is the craftsmanship their creators are excelling at!