Drawing objects from memory can be a tricky affair not seldom crowned by a shattering outcome. Bringing even the most familiar of items to paper free-style may turn into an insoluble challenge. Yet unintentionally, it does occasionally (or frequently?) lead to astonishing creations – and to the „construction“ of somewhat adventurous contraptions. Such as the bikes computer-simulated by Italian designer Gianluca Gimini according to sketches made by a random group of people. He had confronted them with one simple task: to draw a men’s bike by heart.
From man to beast
Even a candidate as stubborn as winter himself must get cold feet at the sight of a Mamuthone (header image) – not to speak of an entranced hoard of them foot-stamping and cow-bell-rattling on streets and around the many bonfires lit for the grave occasion. The noise is deafening and the atmosphere perturbing. The aim of this ancestral rite is to scare winter and any evil away with all the might one can muster. Thus, room is made for spring and to welcome the good it promises to bring. In order for nature not to oversleep, the tradition of stamping and rattling, by employing full weight of body and bells, is a drastic means of reliably shaking her out of hibernation and to remind her: Now is the time for renewal! Measures that seem to have worked over ages.
Admittedly, it takes a bit of an effort to get there, especially from far-away countries. But then again: Who says that the good things in life are to be had in passing? Ask Reinhold Messner: If there were more „eight-thousanders“ to be conquered, he would most likely have done so and still always have chosen the most challenging variety of ventures. Similarly extraordinary and not seldom daring, are Zaha Hadid’s († 2016) architectural structures which reliably become prized icons one by one – wherever and for whichever purpose they may have been established. The intriguing element uniting the random duo seems to be that reaching for the skies is an inborn ambition, and that achieving the utmost a natural consequence. Both personalities’ visions and disciplines merged, result in remarkable projects such as the Corones Museum, submerged into the South Tyrolean peak of Mount Kronplatz 2,275m above sea level.
The quality of longevity is being discussed in controversial ways. Whereas the goal set by the ones optimistic of their (ever-)lasting physical and mental stamina is reaching an age of biblical extent, others would rather see themselves passing away at the height of their beauty, wit and grit – just in time, so to say. For them, the outlook on being left helplessly wilting in a forlorn nursery home or as an undead vegetable plugged to the wonders of life-prolonging contraptions, is utterly unbearable. Not to hope for heavenly conditions on earth seems the more realistic approach since, commonly, just-in-time rarely happens.