On Saturday, September 16th, 2023 at high noon sharp Munich’s Lord Mayor – once again ceremonially exclaimed: ‘It’s tapped!’ The Oktoberfest, a festival recurring for the 186th time, has been exerting its magnetism on the crowds since 1810. It means huge fun for regular folks, works as an illustrious place-to-be-seen for celebrities of all shapes and sizes and could even enhance or jog a career of one trade or another. And it serves as a welcome runway for the presentation of suitably traditional garb (such as Dirndl, Lederhos’n or Lodenjanker) – or for a rare species of couture whose daring cross-over creations are at times hard to swallow for the more conservative.
When these shapely legs are swung high during the rehearsal for the Swan Lake performance, they are not made of flesh and blood. Nor, in fact, are any of the lissome corporal parts belonging to the remarkable cast acting on the miniature stage of the Lindau Marionette Opera (House): they are puppets on strings choreographed and directed with an expertise and finesse that leaves any audience open-mouthed with bafflement. And that doesn’t just account for the ballet troupe bobbing their tutus in tune with Tchaikovsky’s legendary Swan Lake ballet: there are works by Mozart, Verdi, Rossini, Strauss, Bizet and Humperdinck on the programme as well. But, how is it accomplished to elicit credible emotions from actors sculpted from wood? Carving features to augment the illusion of changing mien is the craftsmanship their creators are excelling at!