When gifted inventor Hugo Junkers’s two companies (for engines and airplanes) were merged in Dessau in 1936, the first Ju model – the D-AQUI Fritz Simon – was just about ready for its maiden flight within the Lufthansa route service in April that year. Junkers stroke it lucky with his newly developed aircraft, which is said to have made him the most successful manufacturer of passenger planes worldwide, a happy circumstance to last for many years to come. As for D-AQUI – originally constructed as a water plane – constant changes of ownership in varying countries down to abandonment marked her turbulent path.Reading time: about 3 minutes
It is presumed to be the most colourful, multinational and omnicultural of Berlin’s districts: Neukölln, whose reputation – up to the recent past – could be considered controversial at best. Predominantly low-income (German) residents alongside a high rate of immigrants touching the 40 per cent mark have been benefiting from affordable rents and trying to make ends meet remote from posh Berlin areas. Different beliefs; traditions; habits; tongues; skins or dress codes hailing from alien ethnic backgrounds not seldom ignited the precarious potential for social conflicts. Better-off Berliners and visitors to the city alike preferred to stay at a safe distance for a reason. Yet, by avoiding the confrontation with an often bleak reality, they simultaneously missed out on glamour of a quality only thriving in microcosms such as Neukölln.Reading time: about 3 minutes
When shapely legs are swung high during the meticulously rehearsed Swan Lake performance, they are not made of flesh and blood. Nor, in fact, are any of the lissome corporal parts belonging to the remarkable cast exerting themselves on the miniature stage of the Lindau Marionette Opera (House): they are puppets on strings choreographed and directed with an expertise and finesse that leaves every audience open-mouthed with bafflement. And that doesn’t just account for the ballet troupe bobbing their tutus in tune with Tchaikovsky’s legendary piece of distinguished classical music: there’s Mozart, Verdi, Rossini, Strauss, Bizet and Humperdinck on the programme as well.
Yet, how is it accomplished that rigid images sculpted from wood seem to display credible emotions? Carving features adaptable enough to augment the illusion of changing mien is the craftsmanship their creators are excelling at.Reading time: about 3 minutes
On Saturday, September 16th, 2017 at high noon sharp Munich’s Chief Burgomaster – the Lord Mayor – will once again ceremonially exclaim: ‘It’s tapped!’ The Oktoberfest, a festival recurring for the 184rd time, has been exerting its magnetism on the crowds since 1810. It means huge fun for regular folks, works as an illustrious place-to-be-seen for celebrities of all shapes and sizes and could even enhance or jog a career of one trade or another. And it serves as a welcome runway for the presentation of suitably traditional garb (such as Dirndl, Lederhosn or Lodenjanker) – or for a rare species of couture whose daring cross-over creations are at times hard to swallow for the more conservative. Read articleReading time: about 9 minutes
As is frequently the case, the spirit of a new era is ushered in by initiative of one committed individual. When it comes to the history of German spa-ing, it is said to have been a progressive physician by the name of Samuel Gottlieb Vogel, who had triggered off the lasting success story of sea-side health treatments. The healing effects of a coastal climate and the invigorating properties of salty seawater on skins in desperate need of airing, were promoted by him. And, in order to corroborate his cause, Vogel convinced nobility to act as prominent supporters and forerunners, making Heiligendamm with its tideless shores the premier German spa resort and Friedrich Franz I of Mecklenburg-Schwerin the first-ever guest to use it. That was back in 1793.Reading time: about 3 minutes